![]() |
![]() |
![]() |
This project was submitted in partial fulfilment of the requirements for my Bachelor of Media & Communication (Honours), completed at RMIT in 2014. It accompanies a written thesegesis (an exegetical thesis) available for download in pdf form through the link below. My research was motivated by a moral uncertainty I often felt at the point of capture, and the thesegesis is largely an exploration of this feeling, and the theoretical foundations which underlay it. I maintain that photographic representation generates its own moral questions, which may not necessarily have answers. On the other hand I assert that viewing a photograph does in itself generate moral obligations, wich are idiosyncratic to the viewer. If this interests you at all, you can download the full text here. |
Ross West, 2013 |
Seren Spain, 2013 |
Joshua Cohen, 2013 |
Greta Biggs, 2014 |
Ren Waterfall, 2014 |
Rosie Werner-Grant, 2014 |
Lior, 2014 |
Tahl Georges Swieca, 2013 |
Woman at Guildford Banjo Jamboree, 2014 |
Peter Cruze, 2014 |
Tess Campbell, 2014 |
Quinton Gardiner, 2014 |
Shaike Snir, 2014 |
Rita, 2014 |
Jon Wexler, 2013 |
Nancy Lin, 2014 |
Will at Moth Party, Hobart, 2014 |
Gentleman in Guildford Pub, Guildford Banjo Jamboree, 2014 |
Millie Davison, 2014 |
Leon Jedwab, 2014 |
Joyce Evans, 2014 |
John Gollings, 2014 |
Paul Volta, 2014 |
Seren Spain, 2014 |
Jerry Gunn, 2014 |
Girl at Collingwood Train Station, 2014 |
|
Sally Gearon, 2014 |
The photographs are not necessarily illustrative of my research topic. Rather, they are provided as support material demonstrating the artefacts created as a result of my research-through-praxis. Each image is shot on 4x5 film, for a number of reasons explored in the written work. Most of these images were taken on a Toho FC-45X, which is a full-movement monorail weighing only 1.4kgs. If you are interested in learning more about large format photography, you can always drop me a line and I'll be happy to discuss it at length. |